{"id":7853,"date":"2026-05-12T12:08:48","date_gmt":"2026-05-12T12:08:48","guid":{"rendered":"https:\/\/galeriamiejska.pl\/?p=7853"},"modified":"2026-06-29T09:54:24","modified_gmt":"2026-06-29T09:54:24","slug":"","status":"publish","type":"post","link":"https:\/\/galeriamiejska.pl\/en\/norman-smuzniak-karmazynowy-wedrowiec\/","title":{"rendered":"Norman Smu\u017cniak \/ The Crimson Wanderer","raw":"Norman Smu\u017cniak \/ The Crimson Wanderer"},"content":{"rendered":"\n

From 22 May, visitors to the City Gallery in Wroc\u0142aw will have the chance to take part in a mystical spectacle of colour and light, as the institution\u2019s spaces fill with the paintings and works on paper of Norman Smu\u017cniak.<\/strong><\/p>\n\n\n\n

The point of reference for the works presented in \u201cThe Crimson Wanderer\u201d, an exhibition of the Wroc\u0142aw Academy of Fine Arts painter and teacher Norman Smu\u017cniak, is a broadly conceived Baroque sensibility. In his work, this is expressed through a multiplicity of motifs, signs and allusions that enter into dialogue with one another, through ornamental forms, rich colour and light, compositional openness, spatiality constructed through colour and unrestrained expressiveness. The curator Miros\u0142aw Jasi\u0144ski describes the artist\u2019s work in the following terms: In Smu\u017cniak\u2019s works, what is particularly clear is the search for space in the painting \u2013 characteristic of the arsenal of Baroque means \u2013 achieved through interpenetrating and interacting colours, subordinated to the superior spatial effect. In his approach to painting practice, Smu\u017cniak seems to aim at transcending the purely visual perception of the painting. The emphasis shifts from mere \u201cseeing\u201d to the dynamic, almost sensual \u2013 tactile \u2013 energy of the creative act, connecting what is created with the creator<\/em>.<\/p>\n\n\n\n

In his works Smu\u017cniak draws on a wide range of direct inspirations. Foremost among them are the interiors of Silesian Baroque basilicas and churches, which for the artist become not only a stylistic reference and sensory impulse, but also the metaphysical and spiritual foundation of his art. Referring to the idea of artistic continuity that underpins the painter\u2019s practice, Jasi\u0144ski observes: The references to Silesian Baroque art present in Norman Smu\u017cniak’s works evoke an era in which architecture, sculpture, and painting placed the art of the region in the highest registers of European art<\/em>.<\/p>\n\n\n\n

The abundance of references embedded in Smu\u017cniak\u2019s paintings also lends them a palimpsestic quality, shaped to a considerable extent by the creative process itself, which often allows the works to undergo continual transformation over months or even years. As a result, sentences from an old German prayer book, written in Gothic script and woven into the composition, are frequently obscured by traces of painterly activity, thus dissolving into the material substance of the work.<\/p>\n\n\n\n

The opening will take place on Thursday 21 May at 6:00 p.m.<\/p>\n\n\n\n

The exhibition will run until 20 June 2026.<\/p>\n\n\n\n

Exhibition curated by: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Norman Smu\u017cniak, Wave, 100×70 cm, acrylic, acrylic ink on Bristol board, 2024<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Norman Smu\u017cniak, Night Dew ,90×72 cm, oil on cotton canvas, 2026<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Norman Smu\u017cniak, The Remnants of the Smells of The Day, 100×70 cm, acrylic, acrylic ink on Bristol board, 2024<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Norman Smu\u017cniak, ABEND, 100×200 cm, acrylic, oil on cotton canvas, 2026<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false,"raw":"\n

From 22 May, visitors to the City Gallery in Wroc\u0142aw will have the chance to take part in a mystical spectacle of colour and light, as the institution\u2019s spaces fill with the paintings and works on paper of Norman Smu\u017cniak.<\/strong><\/p>\n\n\n\n

The point of reference for the works presented in \u201cThe Crimson Wanderer\u201d, an exhibition of the Wroc\u0142aw Academy of Fine Arts painter and teacher Norman Smu\u017cniak, is a broadly conceived Baroque sensibility. In his work, this is expressed through a multiplicity of motifs, signs and allusions that enter into dialogue with one another, through ornamental forms, rich colour and light, compositional openness, spatiality constructed through colour and unrestrained expressiveness. The curator Miros\u0142aw Jasi\u0144ski describes the artist\u2019s work in the following terms: In Smu\u017cniak\u2019s works, what is particularly clear is the search for space in the painting \u2013 characteristic of the arsenal of Baroque means \u2013 achieved through interpenetrating and interacting colours, subordinated to the superior spatial effect. In his approach to painting practice, Smu\u017cniak seems to aim at transcending the purely visual perception of the painting. The emphasis shifts from mere \u201cseeing\u201d to the dynamic, almost sensual \u2013 tactile \u2013 energy of the creative act, connecting what is created with the creator<\/em>.<\/p>\n\n\n\n

In his works Smu\u017cniak draws on a wide range of direct inspirations. Foremost among them are the interiors of Silesian Baroque basilicas and churches, which for the artist become not only a stylistic reference and sensory impulse, but also the metaphysical and spiritual foundation of his art. Referring to the idea of artistic continuity that underpins the painter\u2019s practice, Jasi\u0144ski observes: The references to Silesian Baroque art present in Norman Smu\u017cniak's works evoke an era in which architecture, sculpture, and painting placed the art of the region in the highest registers of European art<\/em>.<\/p>\n\n\n\n

The abundance of references embedded in Smu\u017cniak\u2019s paintings also lends them a palimpsestic quality, shaped to a considerable extent by the creative process itself, which often allows the works to undergo continual transformation over months or even years. As a result, sentences from an old German prayer book, written in Gothic script and woven into the composition, are frequently obscured by traces of painterly activity, thus dissolving into the material substance of the work.<\/p>\n\n\n\n

The opening will take place on Thursday 21 May at 6:00 p.m.<\/p>\n\n\n\n

The exhibition will run until 20 June 2026.<\/p>\n\n\n\n

Exhibition curated by: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Norman Smu\u017cniak, Wave, 100x70 cm, acrylic, acrylic ink on Bristol board, 2024<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Norman Smu\u017cniak, Night Dew ,90x72 cm, oil on cotton canvas, 2026<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Norman Smu\u017cniak, The Remnants of the Smells of The Day, 100x70 cm, acrylic, acrylic ink on Bristol board, 2024<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Norman Smu\u017cniak, ABEND, 100x200 cm, acrylic, oil on cotton canvas, 2026<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n"},"excerpt":{"rendered":"

solo exhibition<\/p>\n","protected":false,"raw":"solo exhibition"},"author":1,"featured_media":7854,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_pl_post_content":"\n

Od 22 maja publiczno\u015b\u0107 Galerii Miejskiej we Wroc\u0142awiu b\u0119dzie mia\u0142a szans\u0119 uczestniczy\u0107 w mistycznym spektaklu koloru i \u015bwiat\u0142a \u2013 przestrze\u0144 instytucji wype\u0142ni\u0105 obrazy i papiery Normalna Smu\u017cniaka.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/Gyt-jwnsYDM?si=Ra3EKffNdD-mdrvw\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Punktem odniesienia dla prezentowanej na wystawie \u201eKarmazynowy w\u0119drowiec\u201d cz\u0119\u015bci tw\u00f3rczo\u015bci malarza na co dzie\u0144 zwi\u0105zanego z wroc\u0142awsk\u0105 Akademi\u0105 Sztuk Pi\u0119knych jest szeroko rozumiana barokowa wra\u017cliwo\u015b\u0107. Najpe\u0142niej wyra\u017ca si\u0119 ona u Smu\u017cniaka w mnogo\u015bci dialoguj\u0105cych ze sob\u0105 motyw\u00f3w, znak\u00f3w i aluzji, ornamentacyjnym traktowaniu formy, bogactwie barwy i \u015bwiat\u0142a, kompozycyjnej otwarto\u015bci, przestrzenno\u015bci budowanej kolorem oraz nieokie\u0142znanej ekspresji. Kurator wystawy, Miros\u0142aw Jasi\u0144ski, pisze o jego sztuce w ten spos\u00f3b: U Smu\u017cniaka szczeg\u00f3lnie wa\u017cne jest \u2013 charakterystyczne dla arsena\u0142u \u015brodk\u00f3w barokowych \u2013 poszukiwanie przestrzeni w obrazie, osi\u0105gane poprzez przenikaj\u0105ce si\u0119 i wzajemnie oddzia\u0142uj\u0105ce barwy, podporz\u0105dkowane nadrz\u0119dnego efektowi przestrzennemu. W podej\u015bciu do praktyki malarskiej Smu\u017cniak zdaje si\u0119 zmierza\u0107 ku przekroczeniu czysto wizualnego ogl\u0105du obrazu. Akcent przesuwa si\u0119 z samego \u201ewidzenia\u201d na dynamiczn\u0105, niemal sensualn\u0105- dotykow\u0105 \u2013 energi\u0119 aktu tw\u00f3rczego, \u0142\u0105cz\u0105c\u0105 to, co powstaje z jego tw\u00f3rc\u0105.<\/em><\/p>\n\n\n\n

W swoich dzie\u0142ach malarz wykorzystuje ca\u0142y zr\u00f3\u017cnicowany arsena\u0142 bezpo\u015brednich inspiracji. W\u015br\u00f3d nich czo\u0142owe miejsce zajmuj\u0105 wn\u0119trza \u015bl\u0105skich barokowych bazylik i ko\u015bcio\u0142\u00f3w, kt\u00f3re dla Smu\u017cniaka staj\u0105 si\u0119 nie tylko odniesieniem stylistycznym czy wra\u017ceniowym impulsem, ale tak\u017ce buduj\u0105 metafizyczno-duchowe zaplecze jego sztuki. Miros\u0142aw Jasi\u0144ski, zwracaj\u0105c uwag\u0119 na blisk\u0105 dzia\u0142alno\u015bci malarza ide\u0119 ci\u0105g\u0142o\u015bci sztuki, podkre\u015bla: Nawi\u0105zanie do barokowej sztuki \u015al\u0105ska w tw\u00f3rczo\u015bci Normana Smu\u017cniaka odwo\u0142uj\u0105 si\u0119 do epoki, w kt\u00f3rej architektura, rze\u017aba i malarstwo sytuowa\u0142y sztuk\u0119 regionu w najwy\u017cszych rejestrach sztuki europejskiej.<\/em><\/p>\n\n\n\n

Obfito\u015b\u0107 zawartych w obrazach Smu\u017cniaka odniesie\u0144 buduje r\u00f3wnie\u017c palimpsestowo\u015b\u0107 jego dzie\u0142, na kt\u00f3r\u0105 du\u017cy wp\u0142yw ma r\u00f3wnie\u017c sam proces tw\u00f3rczy, nierzadko dopuszczaj\u0105cy nieustanne przepoczwarzanie si\u0119 obraz\u00f3w na przestrzeni miesi\u0119cy, a nawet lat. W ten spos\u00f3b, \u015bci\u015ble wpisane w kompozycje pracy, zapisane gotykiem sentencje ze starego niemieckiego modlitewnika, nierzadko przes\u0142oni\u0119te zostaj\u0105 \u015bladami tw\u00f3rczego dzia\u0142ania, rozmywaj\u0105c si\u0119 w malarskiej materii.<\/p>\n\n\n\n

Ekspozycja potrwa do 20 czerwca 2026.<\/p>\n\n\n\n

Kurator wystawy: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Norman Smu\u017cniak, MY\u015aLI POZBIERANE O \u015aWICIE, 100x70 cm. akryl, tusz akrylowy na brystolu, 2025<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Norman Smu\u017cniak, FALA, 100x70 cm. akryl, tusze akrylowe na brystolu, 2024<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Norman Smu\u017cniak, RESZTKI ZAPACH\u00d3W DNIA, 100x70 cm. akryl, tusz akrylowy na brystolu, 2024<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Norman Smu\u017cniak, ABEND, 100x200 cm. akryl, olej na p\u0142\u00f3tnie bawe\u0142nianym, 2026<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","_pl_post_name":"norman-smuzniak-karmazynowy-wedrowiec","_pl_post_excerpt":"wystawa indywidualna malarstwa","_pl_post_title":"Norman Smu\u017cniak \/ Karmazynowy w\u0119drowiec","_en_post_content":"\n

From 22 May, visitors to the City Gallery in Wroc\u0142aw will have the chance to take part in a mystical spectacle of colour and light, as the institution\u2019s spaces fill with the paintings and works on paper of Norman Smu\u017cniak.<\/strong><\/p>\n\n\n\n

The point of reference for the works presented in \u201cThe Crimson Wanderer\u201d, an exhibition of the Wroc\u0142aw Academy of Fine Arts painter and teacher Norman Smu\u017cniak, is a broadly conceived Baroque sensibility. In his work, this is expressed through a multiplicity of motifs, signs and allusions that enter into dialogue with one another, through ornamental forms, rich colour and light, compositional openness, spatiality constructed through colour and unrestrained expressiveness. The curator Miros\u0142aw Jasi\u0144ski describes the artist\u2019s work in the following terms: In Smu\u017cniak\u2019s works, what is particularly clear is the search for space in the painting \u2013 characteristic of the arsenal of Baroque means \u2013 achieved through interpenetrating and interacting colours, subordinated to the superior spatial effect. In his approach to painting practice, Smu\u017cniak seems to aim at transcending the purely visual perception of the painting. The emphasis shifts from mere \u201cseeing\u201d to the dynamic, almost sensual \u2013 tactile \u2013 energy of the creative act, connecting what is created with the creator<\/em>.<\/p>\n\n\n\n

In his works Smu\u017cniak draws on a wide range of direct inspirations. Foremost among them are the interiors of Silesian Baroque basilicas and churches, which for the artist become not only a stylistic reference and sensory impulse, but also the metaphysical and spiritual foundation of his art. Referring to the idea of artistic continuity that underpins the painter\u2019s practice, Jasi\u0144ski observes: The references to Silesian Baroque art present in Norman Smu\u017cniak's works evoke an era in which architecture, sculpture, and painting placed the art of the region in the highest registers of European art<\/em>.<\/p>\n\n\n\n

The abundance of references embedded in Smu\u017cniak\u2019s paintings also lends them a palimpsestic quality, shaped to a considerable extent by the creative process itself, which often allows the works to undergo continual transformation over months or even years. As a result, sentences from an old German prayer book, written in Gothic script and woven into the composition, are frequently obscured by traces of painterly activity, thus dissolving into the material substance of the work.<\/p>\n\n\n\n

The opening will take place on Thursday 21 May at 6:00 p.m.<\/p>\n\n\n\n

The exhibition will run until 20 June 2026.<\/p>\n\n\n\n

Exhibition curated by: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Norman Smu\u017cniak, Wave, 100x70 cm, acrylic, acrylic ink on Bristol board, 2024<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Norman Smu\u017cniak, Night Dew ,90x72 cm, oil on cotton canvas, 2026<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Norman Smu\u017cniak, The Remnants of the Smells of The Day, 100x70 cm, acrylic, acrylic ink on Bristol board, 2024<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Norman Smu\u017cniak, ABEND, 100x200 cm, acrylic, oil on cotton canvas, 2026<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

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