{"id":7788,"date":"2026-03-24T11:44:30","date_gmt":"2026-03-24T11:44:30","guid":{"rendered":"https:\/\/galeriamiejska.pl\/?p=7788"},"modified":"2026-05-14T13:31:23","modified_gmt":"2026-05-14T13:31:23","slug":"","status":"publish","type":"post","link":"https:\/\/galeriamiejska.pl\/en\/wystawa-finalistow-15-konkursu-gepperta\/","title":{"rendered":"An exhibition of finalists from 15th Geppert Competition","raw":"An exhibition of finalists from 15th Geppert Competition"},"content":{"rendered":"\n

On 9 April, the City Gallery in Wroc\u0142aw will open an exhibition of finalists from the 15th Geppert Competition. The show presents works by fifteen painters selected from over 1,200 submissions through a multi-stage evaluation process. The opening will be held alongside an awards ceremony celebrating the winning painterly stances.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

The City Gallery will be closed from May 1 to 3.<\/p>\n\n\n\n

<\/div>\n\n\n\n

The 15th edition of the Geppert Competition \u2013 a painting competition with a tradition spanning nearly 40 years \u2013 has been marked by significant organisational changes, most notably the abandonment of the previous expert nomination model in favour of an open submission format. As a result, the first stage attracted 1,215 applications from artists working across an exceptionally diverse range of aesthetics, representing a wide variety of approaches to the painted image and attitudes towards painterly tradition. The fifteen finalists are distinguished by a strong individualism in their engagement with the painted medium, its essence and its purposes \u2013 expressed through the autonomy and originality of their visual language. This selection, however, is more than a gathering of compelling contemporary positions within this classical discipline. It also seeks to diagnose broader tendencies, phenomena and shifts within painting, and to open them up to critical reflection. The exhibition \u2013 foregrounding relationships, dialogues and tensions between the works \u2013 aims to identify the key motifs and concepts shaping today\u2019s understanding of the painted medium.<\/p>\n\n\n\n

Sonia Ruciak, one of the exhibition\u2019s curators, describes the works on show as follows: The resulting group of artists does not form a stylistically unified body of work. On the contrary, its strength lies in the multiplicity of perspectives. Individual works reveal different approaches to working with the image, and different relationships between representation and abstraction, narrative and the materiality of the painted surface<\/em>. One of the most significant phenomena to emerge across the exhibition, however, is a distinct revaluation of figuration, understood in a visually multidirectional sense, whose formal diversity underpins the narrative pluralism represented by the selected artists.<\/p>\n\n\n\n

This year, for the first time in the 37-year history of the Geppert Competition, it is being organised in close collaboration between the Wroc\u0142aw Academy of Fine Arts and the City Gallery in Wroc\u0142aw. This partnership has both a symbolic and a practical dimension. It underscores the competition\u2019s strong ties to the city, while also creating a framework that brings together the potential of the academic community and the expertise of a public exhibition institution, thereby broadening the scope of the event.<\/p>\n\n\n\n

Reflecting on the significance of the Geppert Painting Competition within its long-standing tradition, Professor Wojciech Pukocz, Rector of the Wroc\u0142aw Academy of Fine Arts, remarks: Over thirty years of the Geppert Competition\u2019s history one this emerges with clarity: painting endures. It survived the periods of greatest fascination with new media, and it holds its ground now, amid the rapid development of generative artificial intelligence. If anything, such a context only makes its significance more visible. Painting changes, transforms and takes on new forms, yet it remains one of the most intense modes of thinking through images<\/em>.<\/p>\n\n\n\n

The opening, during which the prize-winners will be announced, will take place on Thursday, 9 April at 6:00 pm at the City Gallery. The evening will be accompanied by a DJ set.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Artists:<\/strong> Agnieszka Apozna\u0144ska, Julian Bachur, Emil Bucki, Hubert Bujak, Konrad Chojnowski\u2013Smagorowicz, Magdalena Chomiak, Przemys\u0142aw Czepurko, Arkadiusz Karapuda, Marta Lissowska, Piotr Tadeusz Mosur, Ksawery Sajdak, Julia S\u0142onecka, Pawe\u0142 S\u0142ota, Patrycja Steczek, Kacper Wiatrak

Curators: <\/strong>Sonia Ruciak, Katarzyna Zahorska, Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n

The exhibition runs untill 12 May 2026. Free admission.<\/p>\n\n\n\n

<\/div>\n","protected":false,"raw":"\n

On 9 April, the City Gallery in Wroc\u0142aw will open an exhibition of finalists from the 15th Geppert Competition. The show presents works by fifteen painters selected from over 1,200 submissions through a multi-stage evaluation process. The opening will be held alongside an awards ceremony celebrating the winning painterly stances.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

The City Gallery will be closed from May 1 to 3.<\/p>\n\n\n\n

<\/div>\n\n\n\n

The 15th edition of the Geppert Competition \u2013 a painting competition with a tradition spanning nearly 40 years \u2013 has been marked by significant organisational changes, most notably the abandonment of the previous expert nomination model in favour of an open submission format. As a result, the first stage attracted 1,215 applications from artists working across an exceptionally diverse range of aesthetics, representing a wide variety of approaches to the painted image and attitudes towards painterly tradition. The fifteen finalists are distinguished by a strong individualism in their engagement with the painted medium, its essence and its purposes \u2013 expressed through the autonomy and originality of their visual language. This selection, however, is more than a gathering of compelling contemporary positions within this classical discipline. It also seeks to diagnose broader tendencies, phenomena and shifts within painting, and to open them up to critical reflection. The exhibition \u2013 foregrounding relationships, dialogues and tensions between the works \u2013 aims to identify the key motifs and concepts shaping today\u2019s understanding of the painted medium.<\/p>\n\n\n\n

Sonia Ruciak, one of the exhibition\u2019s curators, describes the works on show as follows: The resulting group of artists does not form a stylistically unified body of work. On the contrary, its strength lies in the multiplicity of perspectives. Individual works reveal different approaches to working with the image, and different relationships between representation and abstraction, narrative and the materiality of the painted surface<\/em>. One of the most significant phenomena to emerge across the exhibition, however, is a distinct revaluation of figuration, understood in a visually multidirectional sense, whose formal diversity underpins the narrative pluralism represented by the selected artists.<\/p>\n\n\n\n

This year, for the first time in the 37-year history of the Geppert Competition, it is being organised in close collaboration between the Wroc\u0142aw Academy of Fine Arts and the City Gallery in Wroc\u0142aw. This partnership has both a symbolic and a practical dimension. It underscores the competition\u2019s strong ties to the city, while also creating a framework that brings together the potential of the academic community and the expertise of a public exhibition institution, thereby broadening the scope of the event.<\/p>\n\n\n\n

Reflecting on the significance of the Geppert Painting Competition within its long-standing tradition, Professor Wojciech Pukocz, Rector of the Wroc\u0142aw Academy of Fine Arts, remarks: Over thirty years of the Geppert Competition\u2019s history one this emerges with clarity: painting endures. It survived the periods of greatest fascination with new media, and it holds its ground now, amid the rapid development of generative artificial intelligence. If anything, such a context only makes its significance more visible. Painting changes, transforms and takes on new forms, yet it remains one of the most intense modes of thinking through images<\/em>.<\/p>\n\n\n\n

The opening, during which the prize-winners will be announced, will take place on Thursday, 9 April at 6:00 pm at the City Gallery. The evening will be accompanied by a DJ set.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Artists:<\/strong> Agnieszka Apozna\u0144ska, Julian Bachur, Emil Bucki, Hubert Bujak, Konrad Chojnowski\u2013Smagorowicz, Magdalena Chomiak, Przemys\u0142aw Czepurko, Arkadiusz Karapuda, Marta Lissowska, Piotr Tadeusz Mosur, Ksawery Sajdak, Julia S\u0142onecka, Pawe\u0142 S\u0142ota, Patrycja Steczek, Kacper Wiatrak

Curators: <\/strong>Sonia Ruciak, Katarzyna Zahorska, Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n

The exhibition runs untill 12 May 2026. Free admission.<\/p>\n\n\n\n

<\/div>\n"},"excerpt":{"rendered":"

group painting exhibition<\/p>\n","protected":false,"raw":"group painting exhibition"},"author":1,"featured_media":7789,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_pl_post_content":"\n

9 kwietnia w Galerii Miejskiej we Wroc\u0142awiu otworzy si\u0119 wystawa finalist\u00f3w 15. Konkursu Gepperta. Zaprezentowane na niej zostan\u0105 prace pi\u0119tnastu malarek i malarzy wy\u0142onionych spo\u015br\u00f3d ponad 1200 zg\u0142osze\u0144 w wieloetapowym procesie oceny. Wernisa\u017c wystawy po\u0142\u0105czony zostanie z gal\u0105 wr\u0119czenia nagr\u00f3d zwyci\u0119skim postawom malarskim.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

15. edycja Konkursu Gepperta - konkursu malarskiego z niemal 40-letni\u0105 tradycj\u0105 - odby\u0142a si\u0119 pod znakiem wielkich organizacyjnych zmian, zak\u0142adaj\u0105cych rezygnacj\u0119 z dotychczasowych eksperckich nominacji na rzecz otwartej formu\u0142y zg\u0142osze\u0144. W konsekwencji pierwszy etap zgromadzi\u0142 1215 aplikacji artystek i artyst\u00f3w pos\u0142uguj\u0105cych si\u0119 niezwykle zr\u00f3\u017cnicowanymi estetykami oraz reprezentuj\u0105cych rozmaite sposoby my\u015blenia o obrazie i postawy wobec malarskiej tradycji. Wy\u0142onion\u0105 spo\u015br\u00f3d nich pi\u0119tnastk\u0119 finalistek i finalist\u00f3w wyr\u00f3\u017cnia szczeg\u00f3lny indywidualizm w spojrzeniu na malarskie medium, jego istot\u0119 i cele, co z kolei znajduje odzwierciedlenie w autonomii i nowatorsko\u015bci wizualnego j\u0119zyka, w kt\u00f3rym przemawiaj\u0105. Wyb\u00f3r ten jest jednak nie tylko zestawieniem najciekawszych wsp\u00f3\u0142cze\u015bnie postaw obecnych w obszarze tej klasycznej dyscypliny. Stanowi on tak\u017ce pr\u00f3b\u0119 szerszego zdiagnozowania aktualnych tendencji, zjawisk i zwrot\u00f3w w malarstwie oraz poddania ich pod refleksj\u0119. Celem konkursowej wystawy, kt\u00f3ra skupia si\u0119 na akcentowaniu relacji, dialog\u00f3w i napi\u0119\u0107 pomi\u0119dzy wyr\u00f3\u017cnionymi dzie\u0142ami, jest zatem odnalezienie wiod\u0105cych motyw\u00f3w i koncept\u00f3w formuj\u0105cych dzisiejsze rozumienie malarskiego medium.<\/p>\n\n\n\n

Sonia Ruciak, jedna z kuratorek ekspozycji, o prezentowanych na niej pracach m\u00f3wi w ten spos\u00f3b: Wy\u0142oniona grupa artyst\u00f3w nie tworzy stylistycznie jednorodnego zbioru. Przeciwnie - jej si\u0142a polega na wielo\u015bci perspektyw. Poszczeg\u00f3lne realizacje pokazuj\u0105 r\u00f3\u017cne sposoby pracy z obrazem, r\u00f3\u017cne relacje mi\u0119dzy przedstawieniem a abstrakcj\u0105, mi\u0119dzy narracj\u0105 a materialno\u015bci\u0105 malarskiej powierzchni. Jednym z najistotniejszych zjawisk silnie uwidaczniaj\u0105cym si\u0119 na wystawie jest jednak szczeg\u00f3lne dowarto\u015bciowanie wielokierunkowo ujmowanej wizualnie figuracji, kt\u00f3ra swoim formalnym zr\u00f3\u017cnicowaniem wspiera narracyjny pluralizm reprezentowany poprzez sztuk\u0119 wybranych artystek i artyst\u00f3w.<\/em><\/p>\n\n\n\n

W tym roku po raz pierwszy w ci\u0105gu 37-letniej historii Konkursu Gepperta jest on organizowany przy \u015bcis\u0142ej wsp\u00f3\u0142pracy wroc\u0142awskiej Akademii Sztuk Pi\u0119knych z Galeri\u0105 Miejsk\u0105 we Wroc\u0142awiu. Partnerstwo to ma zar\u00f3wno wymiar symboliczny, jak i praktyczny. Podkre\u015bla bowiem silny zwi\u0105zek konkursu z miastem, ale tak\u017ce stwarza formu\u0142\u0119 \u0142\u0105cz\u0105c\u0105 potencja\u0142 \u015brodowiska akademickiego z do\u015bwiadczeniem publicznej instytucji wystawienniczej, poszerzaj\u0105c tym samym wymiar wydarzenia.<\/p>\n\n\n\n

Uzasadniaj\u0105c znaczenie malarskiego Konkursu Gepperta w kontek\u015bcie jego d\u0142ugoletniej tradycji, profesor Wojciech Pukocz, rektor Akademii Sztuk Pi\u0119knych we Wroc\u0142awiu, m\u00f3wi: Ponad trzydzie\u015bci lat historii Konkursu Gepperta pokazuje jedno bardzo wyra\u017anie. Malarstwo nie znika. Nie znikn\u0119\u0142o w momentach najwi\u0119kszej fascynacji nowymi mediami i nie znika tak\u017ce dzi\u015b, w czasie gwa\u0142townego rozwoju narz\u0119dzi generatywnej sztucznej inteligencji. By\u0107 mo\u017ce w\u0142a\u015bnie w takim kontek\u015bcie jego znaczenie staje si\u0119 jeszcze bardziej widoczne. Malarstwo zmienia si\u0119, przekszta\u0142ca i przyjmuje nowe formy, lecz pozostaje jednym z najbardziej intensywnych sposob\u00f3w my\u015blenia obrazem.<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

Artystki i arty\u015bci:<\/strong> Agnieszka Apozna\u0144ska, Julian Bachur, Emil Bucki, Hubert Bujak, Konrad Chojnowski\u2013Smagorowicz, Magdalena Chomiak, Przemys\u0142aw Czepurko, Arkadiusz Karapuda, Marta Lissowska, Piotr Tadeusz Mosur, Ksawery Sajdak, Julia S\u0142onecka, Pawe\u0142 S\u0142ota, Patrycja Steczek, Kacper Wiatrak<\/p>\n\n\n\n

Kuratorzy:<\/strong> Sonia Ruciak, Katarzyna Zahorska, Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

Organizatorzy:<\/strong> Akademia Sztuk Pi\u0119knych im. Eugeniusza Gepperta we Wroc\u0142awiu, Biennale Malarstwa Wroc\u0142aw, Galeria Miejska we Wroc\u0142awiu<\/p>\n\n\n\n

Wystawa potrwa do 12 maja 2026. Wst\u0119p wolny.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"
Laureaci 15. Konkursu Gepperta<\/figcaption><\/figure>\n","_pl_post_name":"wystawa-finalistow-15-konkursu-gepperta","_pl_post_excerpt":"prezentacja malarstwa","_pl_post_title":"Wystawa finalist\u00f3w 15. Konkursu Gepperta","_en_post_content":"\n

On 9 April, the City Gallery in Wroc\u0142aw will open an exhibition of finalists from the 15th Geppert Competition. The show presents works by fifteen painters selected from over 1,200 submissions through a multi-stage evaluation process. The opening will be held alongside an awards ceremony celebrating the winning painterly stances.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

The City Gallery will be closed from May 1 to 3.<\/p>\n\n\n\n

<\/div>\n\n\n\n

The 15th edition of the Geppert Competition \u2013 a painting competition with a tradition spanning nearly 40 years \u2013 has been marked by significant organisational changes, most notably the abandonment of the previous expert nomination model in favour of an open submission format. As a result, the first stage attracted 1,215 applications from artists working across an exceptionally diverse range of aesthetics, representing a wide variety of approaches to the painted image and attitudes towards painterly tradition. The fifteen finalists are distinguished by a strong individualism in their engagement with the painted medium, its essence and its purposes \u2013 expressed through the autonomy and originality of their visual language. This selection, however, is more than a gathering of compelling contemporary positions within this classical discipline. It also seeks to diagnose broader tendencies, phenomena and shifts within painting, and to open them up to critical reflection. The exhibition \u2013 foregrounding relationships, dialogues and tensions between the works \u2013 aims to identify the key motifs and concepts shaping today\u2019s understanding of the painted medium.<\/p>\n\n\n\n

Sonia Ruciak, one of the exhibition\u2019s curators, describes the works on show as follows: The resulting group of artists does not form a stylistically unified body of work. On the contrary, its strength lies in the multiplicity of perspectives. Individual works reveal different approaches to working with the image, and different relationships between representation and abstraction, narrative and the materiality of the painted surface<\/em>. One of the most significant phenomena to emerge across the exhibition, however, is a distinct revaluation of figuration, understood in a visually multidirectional sense, whose formal diversity underpins the narrative pluralism represented by the selected artists.<\/p>\n\n\n\n

This year, for the first time in the 37-year history of the Geppert Competition, it is being organised in close collaboration between the Wroc\u0142aw Academy of Fine Arts and the City Gallery in Wroc\u0142aw. This partnership has both a symbolic and a practical dimension. It underscores the competition\u2019s strong ties to the city, while also creating a framework that brings together the potential of the academic community and the expertise of a public exhibition institution, thereby broadening the scope of the event.<\/p>\n\n\n\n

Reflecting on the significance of the Geppert Painting Competition within its long-standing tradition, Professor Wojciech Pukocz, Rector of the Wroc\u0142aw Academy of Fine Arts, remarks: Over thirty years of the Geppert Competition\u2019s history one this emerges with clarity: painting endures. It survived the periods of greatest fascination with new media, and it holds its ground now, amid the rapid development of generative artificial intelligence. If anything, such a context only makes its significance more visible. Painting changes, transforms and takes on new forms, yet it remains one of the most intense modes of thinking through images<\/em>.<\/p>\n\n\n\n

The opening, during which the prize-winners will be announced, will take place on Thursday, 9 April at 6:00 pm at the City Gallery. The evening will be accompanied by a DJ set.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Artists:<\/strong> Agnieszka Apozna\u0144ska, Julian Bachur, Emil Bucki, Hubert Bujak, Konrad Chojnowski\u2013Smagorowicz, Magdalena Chomiak, Przemys\u0142aw Czepurko, Arkadiusz Karapuda, Marta Lissowska, Piotr Tadeusz Mosur, Ksawery Sajdak, Julia S\u0142onecka, Pawe\u0142 S\u0142ota, Patrycja Steczek, Kacper Wiatrak

Curators: <\/strong>Sonia Ruciak, Katarzyna Zahorska, Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n

The exhibition runs untill 12 May 2026. Free admission.<\/p>\n\n\n\n

<\/div>\n","_en_post_name":"","_en_post_excerpt":"group painting exhibition","_en_post_title":"An exhibition of finalists from 15th Geppert Competition","edit_language":"en","footnotes":""},"categories":[6,4],"tags":[224,217,26],"class_list":["post-7788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiwalne","category-wystawy","tag-finalisci-konkursu-gepperta","tag-konkurs-gepperta","tag-wystawa"],"yoast_head":"\nWystawa finalist\u00f3w 15. Konkursu Gepperta - Galeria Miejska we Wroc\u0142awiu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriamiejska.pl\/en\/wystawa-finalistow-15-konkursu-gepperta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wystawa finalist\u00f3w 15. 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