{"id":7694,"date":"2026-02-18T12:47:00","date_gmt":"2026-02-18T12:47:00","guid":{"rendered":"https:\/\/galeriamiejska.pl\/?p=7694"},"modified":"2026-03-26T16:39:52","modified_gmt":"2026-03-26T16:39:52","slug":"","status":"publish","type":"post","link":"https:\/\/galeriamiejska.pl\/en\/szalone-lata-90\/","title":{"rendered":"The Crazy Nineties","raw":"The Crazy Nineties"},"content":{"rendered":"\n

From 26th February, the City Gallery invites visitors to two solo exhibitions \u2013 Spatial Structures<\/em> by Alojzy Gryt and Monument-Mementoes<\/em> by Piotr Wieczorek \u2013 shown together under the banner The Crazy Nineties. Despite what it might suggest, the title does not refer to the decade of more than a quarter of a century ago, but rather to the venerable age of both artists who, now in their nineties, remain at the height of their creative powers.<\/strong><\/p>\n\n\n\n

The presented works by Alojzy Gryt, one of Poland\u2019s most distinguished sculptors and installation artists, develop themes that have been present in his practice for decades. His art may be succinctly characterised by modularity, exploring the transparency of his objects and the relationship between his works and their surroundings, the use of unconventional materials and a subtle sense of humour. Above all, however, he is interested in structures in which order is disturbed by chaos and arrhythmia. Rejecting the notion of sculpture as monument, Gryt reveals its transcendent dimension to the viewer. As Marek \u015anieci\u0144ski observes: His works are singular acts of existence and presence, endowed with a distinct subjective identity. Viewers are drawn into their transparency, into their unsecrecy, and after a while, they begin to experience the enigmatic spirituality inherent in them.<\/em><\/p>\n\n\n\n

Meanwhile, the works by Piotr Wieczorek shown in Monument-Mementoes, created on a miniature scale and brimming with humour of surrealist\u2013dadaist provenance, continue an idea he has pursued for more than a decade. These witty, polemical collages often refer to specific individuals, situations, or ideas and concepts circulating within the cultural sphere. In fact, they embody the synthesis of Wieczorek\u2019s entire output as a set designer, ceramicist, sculptor, and painter over nearly seventy years.

Miros\u0142aw Jasi\u0144ski, the exhibition curator, describes the idea of bringing together Alojzy Gryt\u2019s and Piotr Wieczorek\u2019s works into the City Gallery in Wroc\u0142aw as follows: Miros\u0142aw Jasi\u0144ski, the exhibition curator, describes the idea of bringing together Alojzy Gryt’s and Piotr Wieczorek’s works at the City Gallery in Wroc\u0142aw as follows: [\u2026] in assembling the works of both artists, we encounter art that is essentially anarchic, open to the ambiguity of the world and concepts, and analytical, transcendence-seeking installations. In both cases, these are outstanding and highly individual creative paths whose significance extends far beyond the borders of Poland.<\/em><\/p>\n\n\n\n

The opening will take place on 26 February (Thursday), at 6.00 pm.<\/p>\n\n\n\n

The exhibition runs until 26 March 2026.<\/p>\n\n\n\n

Curator: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Alojzy Gryt, z cyklu Krajobrazy, 2011 – 2025, papier, 50 x 50 x 30 cm<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Alojzy Gryt, z cyklu Struktury przestrzenne, 2019 – 2025, szk\u0142o, metal, wys. 50 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Piotr Wieczorek, Pomnik 100-lecia Zwi\u0105zku Polskich Artyst\u00f3w Plastyk\u00f3w, technika ulotna, 2011<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Piotr Wieczorek, Trwa\u0142y wspomnik pami\u0119ci Dynamiczna sytuacja uliczna, technika w\u0142asna, 2014<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false,"raw":"\n

From 26th February, the City Gallery invites visitors to two solo exhibitions \u2013 Spatial Structures<\/em> by Alojzy Gryt and Monument-Mementoes<\/em> by Piotr Wieczorek \u2013 shown together under the banner The Crazy Nineties. Despite what it might suggest, the title does not refer to the decade of more than a quarter of a century ago, but rather to the venerable age of both artists who, now in their nineties, remain at the height of their creative powers.<\/strong><\/p>\n\n\n\n

The presented works by Alojzy Gryt, one of Poland\u2019s most distinguished sculptors and installation artists, develop themes that have been present in his practice for decades. His art may be succinctly characterised by modularity, exploring the transparency of his objects and the relationship between his works and their surroundings, the use of unconventional materials and a subtle sense of humour. Above all, however, he is interested in structures in which order is disturbed by chaos and arrhythmia. Rejecting the notion of sculpture as monument, Gryt reveals its transcendent dimension to the viewer. As Marek \u015anieci\u0144ski observes: His works are singular acts of existence and presence, endowed with a distinct subjective identity. Viewers are drawn into their transparency, into their unsecrecy, and after a while, they begin to experience the enigmatic spirituality inherent in them.<\/em><\/p>\n\n\n\n

Meanwhile, the works by Piotr Wieczorek shown in Monument-Mementoes, created on a miniature scale and brimming with humour of surrealist\u2013dadaist provenance, continue an idea he has pursued for more than a decade. These witty, polemical collages often refer to specific individuals, situations, or ideas and concepts circulating within the cultural sphere. In fact, they embody the synthesis of Wieczorek\u2019s entire output as a set designer, ceramicist, sculptor, and painter over nearly seventy years.

Miros\u0142aw Jasi\u0144ski, the exhibition curator, describes the idea of bringing together Alojzy Gryt\u2019s and Piotr Wieczorek\u2019s works into the City Gallery in Wroc\u0142aw as follows: Miros\u0142aw Jasi\u0144ski, the exhibition curator, describes the idea of bringing together Alojzy Gryt's and Piotr Wieczorek's works at the City Gallery in Wroc\u0142aw as follows: [\u2026] in assembling the works of both artists, we encounter art that is essentially anarchic, open to the ambiguity of the world and concepts, and analytical, transcendence-seeking installations. In both cases, these are outstanding and highly individual creative paths whose significance extends far beyond the borders of Poland.<\/em><\/p>\n\n\n\n

The opening will take place on 26 February (Thursday), at 6.00 pm.<\/p>\n\n\n\n

The exhibition runs until 26 March 2026.<\/p>\n\n\n\n

Curator: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Alojzy Gryt, z cyklu Krajobrazy, 2011 - 2025, papier, 50 x 50 x 30 cm<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Alojzy Gryt, z cyklu Struktury przestrzenne, 2019 - 2025, szk\u0142o, metal, wys. 50 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Piotr Wieczorek, Pomnik 100-lecia Zwi\u0105zku Polskich Artyst\u00f3w Plastyk\u00f3w, technika ulotna, 2011<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Piotr Wieczorek, Trwa\u0142y wspomnik pami\u0119ci Dynamiczna sytuacja uliczna, technika w\u0142asna, 2014<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n"},"excerpt":{"rendered":"

Alojzy Gryt \/ Spatial Structures
\nPiotr Wieczorek \/ Monuments-Mementoes <\/p>\n","protected":false,"raw":"Alojzy Gryt \/ Spatial Structures \nPiotr Wieczorek \/ Monuments-Mementoes \n "},"author":1,"featured_media":7695,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_pl_post_content":"\n

Od 26 lutego Galeria Miejska zaprasza na dwa indywidualne pokazy \u2013 Struktury przestrzenne<\/em> Alojzego Gryta oraz Pomniki-wspomniki<\/em> Piotra Wieczorka \u2013 otwarte pod wsp\u00f3lnym has\u0142em Szalone lata dziewi\u0119\u0107dziesi\u0105te<\/em>.  Tytu\u0142 ten wbrew pozorom nie nawi\u0105zuje do czas\u00f3w sprzed ponad \u0107wier\u0107wiecza, ale odnosi si\u0119 do szacownego wieku obu tw\u00f3rc\u00f3w, kt\u00f3rzy, wchodz\u0105c w dziesi\u0105t\u0105 dekad\u0119 swojego \u017cycia, niezmiennie pozostaj\u0105 w pe\u0142ni swoich tw\u00f3rczych si\u0142.<\/strong><\/p>\n\n\n\n

Prezentowane w Galerii Miejskiej prace Alojzego Gryta, jednego z najwybitniejszych polskich rze\u017abiarzy-instalator\u00f3w, rozwijaj\u0105 w\u0105tki obecne w jego sztuce od dziesi\u0119cioleci.  Artyst\u0119, kt\u00f3rego tw\u00f3rczo\u015b\u0107 mo\u017cna w skr\u00f3cie scharakteryzowa\u0107 poprzez takie has\u0142a, jak modu\u0142owo\u015b\u0107, eksplorowanie transparentnych aspekt\u00f3w obiektu i jego relacji z otoczeniem, u\u017cycie niekonwencjonalnych tworzyw czy dyskretny humor, interesuj\u0105 przede wszystkim te struktury, w kt\u00f3rych porz\u0105dek wdziera si\u0119 chaos i arytmia. Odrzucaj\u0105c koncept rze\u017aby pojmowanej jako monument, Gryt obna\u017ca przed odbiorc\u0105 jej transcendentny wymiar. Marek \u015anieci\u0144ski, pisze o tym w tych s\u0142owach: Jego prace s\u0105 pojedynczymi aktami istnienia i obecno\u015bci, obdarzonymi wyrazist\u0105 podmiotow\u0105 to\u017csamo\u015bci\u0105. W ich transparencj\u0119, w ich nie-skryto\u015b\u0107 wci\u0105gani s\u0105 widzowie, kt\u00f3rzy po pewnym czasie, po chwili, zaczynaj\u0105 do\u015bwiadcza\u0107 wpisanej w nie zagadkowej duchowo\u015bci. <\/em><\/p>\n\n\n\n

Z kolei eksponowane w ramach wystawy Pomniki-wspomniki<\/em> , tworzone w mikroskali i przepe\u0142nione poczuciem humoru o surrealistyczno-dadaistycznej proweniencji prace Piotra Wieczorka, stanowi\u0105 kontynuacj\u0119 pomys\u0142u realizowanego ju\u017c od kilkunastu lat. Te dowcipne, polemiczne kola\u017ce odnosz\u0105 si\u0119 cz\u0119sto do konkretnych os\u00f3b, sytuacji lub kr\u0105\u017c\u0105cych w przestrzeni idei i poj\u0119\u0107. W istocie mieszcz\u0105 one w sobie syntez\u0119 ca\u0142ej scenograficzno-ceramiczno-rze\u017abiarsko-malarskiej tw\u00f3rczo\u015bci Wieczorka z okresu blisko 70 lat.<\/p>\n\n\n\n

O pomy\u015ble zestawienia dzie\u0142 Alojzego Gryta i Piotra Wieczorka w przestrzeniach Galerii Miejskiej we Wroc\u0142awiu, kurator wystaw, Miros\u0142aw Jasi\u0144ski, m\u00f3wi w ten spos\u00f3b: [\u2026] \u0142\u0105cz\u0105c prace obu tw\u00f3rc\u00f3w zetkniemy si\u0119 ze sztuk\u0105 w istocie anarchiczn\u0105, otwart\u0105 na dwuznaczno\u015b\u0107 \u015bwiata i poj\u0119\u0107 analitycznymi, skierowanymi na transcendencj\u0119 instalacjami. W obu przypadkach s\u0105 to wybitne, indywidualne drogi tw\u00f3rcze, kt\u00f3rych znaczenie wykracza daleko poza granice Polski.<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

Wystawa potrwa do 26 marca 2026.<\/p>\n\n\n\n

Kurator: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

Ekspozycja zosta\u0142a obj\u0119ta Patronatem Honorowym Prezydenta Wroc\u0142awia.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Alojzy Gryt, z cyklu Krajobrazy, 2011 - 2025, papier, 50 x 50 x 30 cm<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Alojzy Gryt, z cyklu Struktury przestrzenne, 2019 - 2025, szk\u0142o, metal, wys. 50 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Piotr Wieczorek, Pomnik 100-lecia Zwi\u0105zku Polskich Artyst\u00f3w Plastyk\u00f3w, technika ulotna, 2011<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Piotr Wieczorek, Trwa\u0142y wspomnik pami\u0119ci Dynamiczna sytuacja uliczna, technika w\u0142asna, 2014<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","_pl_post_name":"szalone-lata-90","_pl_post_excerpt":"Alojzy Gryt\/ Struktury przestrzenne\nPiotr Wieczorek\/ Pomniki-wspomniki","_pl_post_title":"Szalone lata '90","_en_post_content":"\n

From 26th February, the City Gallery invites visitors to two solo exhibitions \u2013 Spatial Structures<\/em> by Alojzy Gryt and Monument-Mementoes<\/em> by Piotr Wieczorek \u2013 shown together under the banner The Crazy Nineties. Despite what it might suggest, the title does not refer to the decade of more than a quarter of a century ago, but rather to the venerable age of both artists who, now in their nineties, remain at the height of their creative powers.<\/strong><\/p>\n\n\n\n

The presented works by Alojzy Gryt, one of Poland\u2019s most distinguished sculptors and installation artists, develop themes that have been present in his practice for decades. His art may be succinctly characterised by modularity, exploring the transparency of his objects and the relationship between his works and their surroundings, the use of unconventional materials and a subtle sense of humour. Above all, however, he is interested in structures in which order is disturbed by chaos and arrhythmia. Rejecting the notion of sculpture as monument, Gryt reveals its transcendent dimension to the viewer. As Marek \u015anieci\u0144ski observes: His works are singular acts of existence and presence, endowed with a distinct subjective identity. Viewers are drawn into their transparency, into their unsecrecy, and after a while, they begin to experience the enigmatic spirituality inherent in them.<\/em><\/p>\n\n\n\n

Meanwhile, the works by Piotr Wieczorek shown in Monument-Mementoes, created on a miniature scale and brimming with humour of surrealist\u2013dadaist provenance, continue an idea he has pursued for more than a decade. These witty, polemical collages often refer to specific individuals, situations, or ideas and concepts circulating within the cultural sphere. In fact, they embody the synthesis of Wieczorek\u2019s entire output as a set designer, ceramicist, sculptor, and painter over nearly seventy years.

Miros\u0142aw Jasi\u0144ski, the exhibition curator, describes the idea of bringing together Alojzy Gryt\u2019s and Piotr Wieczorek\u2019s works into the City Gallery in Wroc\u0142aw as follows: Miros\u0142aw Jasi\u0144ski, the exhibition curator, describes the idea of bringing together Alojzy Gryt's and Piotr Wieczorek's works at the City Gallery in Wroc\u0142aw as follows: [\u2026] in assembling the works of both artists, we encounter art that is essentially anarchic, open to the ambiguity of the world and concepts, and analytical, transcendence-seeking installations. In both cases, these are outstanding and highly individual creative paths whose significance extends far beyond the borders of Poland.<\/em><\/p>\n\n\n\n

The opening will take place on 26 February (Thursday), at 6.00 pm.<\/p>\n\n\n\n

The exhibition runs until 26 March 2026.<\/p>\n\n\n\n

Curator: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Alojzy Gryt, z cyklu Krajobrazy, 2011 - 2025, papier, 50 x 50 x 30 cm<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Alojzy Gryt, z cyklu Struktury przestrzenne, 2019 - 2025, szk\u0142o, metal, wys. 50 cm<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Piotr Wieczorek, Pomnik 100-lecia Zwi\u0105zku Polskich Artyst\u00f3w Plastyk\u00f3w, technika ulotna, 2011<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Piotr Wieczorek, Trwa\u0142y wspomnik pami\u0119ci Dynamiczna sytuacja uliczna, technika w\u0142asna, 2014<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","_en_post_name":"","_en_post_excerpt":"Alojzy Gryt \/ Spatial Structures \nPiotr Wieczorek \/ Monuments-Mementoes \n ","_en_post_title":"The Crazy Nineties","edit_language":"en","footnotes":""},"categories":[6,4],"tags":[221,222,223,26],"class_list":["post-7694","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiwalne","category-wystawy","tag-alojzy-gryt","tag-piotr-wieczorek","tag-szalone-lkata-90","tag-wystawa"],"yoast_head":"\nSzalone lata '90 - Galeria Miejska we Wroc\u0142awiu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriamiejska.pl\/en\/szalone-lata-90\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Szalone lata '90 - Galeria Miejska we Wroc\u0142awiu\" \/>\n<meta property=\"og:description\" content=\"Alojzy Gryt\/ Struktury przestrzenne Piotr Wieczorek\/ Pomniki-wspomniki\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galeriamiejska.pl\/en\/szalone-lata-90\/\" \/>\n<meta property=\"og:site_name\" content=\"Galeria Miejska we Wroc\u0142awiu\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-18T12:47:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-26T16:39:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/galeriamiejska.pl\/wp-content\/uploads\/2026\/02\/zdjecie-na-www-GM-640x340px_2-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"340\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/galeriamiejska.pl\/en\/#website\",\"url\":\"https:\/\/galeriamiejska.pl\/en\/\",\"name\":\"Galeria Miejska we Wroc\\u0142awiu\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/galeriamiejska.pl\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/galeriamiejska.pl\/en\/szalone-lata-90\/#primaryimage\",\"inLanguage\":\"\",\"url\":\"https:\/\/galeriamiejska.pl\/wp-content\/uploads\/2026\/02\/zdjecie-na-www-GM-640x340px_2-1.png\",\"contentUrl\":\"https:\/\/galeriamiejska.pl\/wp-content\/uploads\/2026\/02\/zdjecie-na-www-GM-640x340px_2-1.png\",\"width\":640,\"height\":340},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/galeriamiejska.pl\/en\/szalone-lata-90\/#webpage\",\"url\":\"https:\/\/galeriamiejska.pl\/en\/szalone-lata-90\/\",\"name\":\"Szalone lata '90 - 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