{"id":7647,"date":"2026-01-13T17:00:46","date_gmt":"2026-01-13T17:00:46","guid":{"rendered":"https:\/\/galeriamiejska.pl\/?p=7647"},"modified":"2026-03-04T17:04:30","modified_gmt":"2026-03-04T17:04:30","slug":"","status":"publish","type":"post","link":"https:\/\/galeriamiejska.pl\/en\/urszula-sliz-traho-nie-rysunki\/","title":{"rendered":"Urszula \u015aliz\/ Traho. Non-drawings","raw":"Urszula \u015aliz\/ Traho. Non-drawings"},"content":{"rendered":"\n

On 22 January, Urszula \u015aliz\u2019s solo exhibition opens at the City Gallery. For many years, the artist has consistently explored questions concerning the boundaries and specificity of different artistic territories. In the exhibition Traho. Non-drawings<\/em>, she explores the broadly understood concept of drawingness.<\/strong><\/p>\n\n\n\n

In her works on display, Urszula \u015aliz seeks to determine what drawing might be beyond its own medium. For the artist, the titular non-drawings<\/em> are not an act of negation, but an expansion of the definition. The word traho<\/em> (Latin, first person singular of the verb trahere<\/em>), which refers to the classical understanding of drawing as the act of \u2018pulling out\u2019 a line, points to action, emphasising the processual and physical nature of drawing.<\/p>\n\n\n\n

The starting point for the works assembled in the exhibition is the practice of automatic drawing, which allows the artist to approach the medium as both a mental and bodily process. Consequently, in this cycle of \u015aliz\u2019s work, the fundamental element of drawing \u2013 the line \u2013 becomes a natural materialisation of energy accumulated in the body, while at the same time conforming to rationalised structures and rhythms. Balancing on the boundary between intention and chance, the artist draws on the metaphor of weaving, of weft and warp. The tensions formed between the vertical and the horizontal function in her works as a relationship between order and its disruption.<\/p>\n\n\n\n

Marek \u015anieci\u0144ski writes about Urszula \u015aliz\u2019s latest work as follows: Once again, it must be emphasised that in the <\/em>\u2018Traho. Non-Drawings<\/em>\u2019 cycle, drawing is not the goal, nor is <\/em>\u2018techne<\/em>\u2019 itself. The various techniques and technologies employed by the artist serve only to construct a territory in which questions may resonate \u2014 questions of order and its disruption, of entropy, which is both our way of describing reality and the laws that govern it, and an existential, corporeal experience<\/em>.<\/p>\n\n\n\n

The opening takes place on 22 January (Thursday) at 6:00 pm<\/p>\n\n\n\n

The exhibition will be on view until 18 February.<\/p>\n\n\n\n

Curator: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Urszula \u015aliz, RI110, 30 x 24 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Urszula \u015aliz, RI111, 30 x 24 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Urszula \u015aliz, TXIII, 120 x 90 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false,"raw":"\n

On 22 January, Urszula \u015aliz\u2019s solo exhibition opens at the City Gallery. For many years, the artist has consistently explored questions concerning the boundaries and specificity of different artistic territories. In the exhibition Traho. Non-drawings<\/em>, she explores the broadly understood concept of drawingness.<\/strong><\/p>\n\n\n\n

In her works on display, Urszula \u015aliz seeks to determine what drawing might be beyond its own medium. For the artist, the titular non-drawings<\/em> are not an act of negation, but an expansion of the definition. The word traho<\/em> (Latin, first person singular of the verb trahere<\/em>), which refers to the classical understanding of drawing as the act of \u2018pulling out\u2019 a line, points to action, emphasising the processual and physical nature of drawing.<\/p>\n\n\n\n

The starting point for the works assembled in the exhibition is the practice of automatic drawing, which allows the artist to approach the medium as both a mental and bodily process. Consequently, in this cycle of \u015aliz\u2019s work, the fundamental element of drawing \u2013 the line \u2013 becomes a natural materialisation of energy accumulated in the body, while at the same time conforming to rationalised structures and rhythms. Balancing on the boundary between intention and chance, the artist draws on the metaphor of weaving, of weft and warp. The tensions formed between the vertical and the horizontal function in her works as a relationship between order and its disruption.<\/p>\n\n\n\n

Marek \u015anieci\u0144ski writes about Urszula \u015aliz\u2019s latest work as follows: Once again, it must be emphasised that in the <\/em>\u2018Traho. Non-Drawings<\/em>\u2019 cycle, drawing is not the goal, nor is <\/em>\u2018techne<\/em>\u2019 itself. The various techniques and technologies employed by the artist serve only to construct a territory in which questions may resonate \u2014 questions of order and its disruption, of entropy, which is both our way of describing reality and the laws that govern it, and an existential, corporeal experience<\/em>.<\/p>\n\n\n\n

The opening takes place on 22 January (Thursday) at 6:00 pm<\/p>\n\n\n\n

The exhibition will be on view until 18 February.<\/p>\n\n\n\n

Curator: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Urszula \u015aliz, RI110, 30 x 24 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Urszula \u015aliz, RI111, 30 x 24 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Urszula \u015aliz, TXIII, 120 x 90 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n"},"excerpt":{"rendered":"

solo exhibition<\/p>\n","protected":false,"raw":"solo exhibition"},"author":1,"featured_media":7653,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_pl_post_content":"\n

22 stycznia w Galerii Miejskiej otworzy si\u0119 indywidualna wystawa Urszuli \u015aliz, kt\u00f3ra od lat konsekwentnie w swojej sztuce stawia pytania dotycz\u0105ce granic i specyfiki rozmaitych artystycznych terytori\u00f3w. W ramach ekspozycji Traho. Nie-rysunki <\/em>tw\u00f3rczyni bada szeroko rozumiany temat rysunkowo\u015bci. <\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n
\nhttps:\/\/youtu.be\/w6dIigPxt_c\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n

W prezentowanych na wystawie pracach Urszula \u015aliz stara si\u0119 dociec, czym mo\u017ce by\u0107 rysunek poza w\u0142asnym medium. Tytu\u0142owe nie-rysunki <\/em>nie wi\u0105\u017c\u0105 si\u0119 wi\u0119c dla artystki z zaprzeczeniem, ale z poszerzeniem definicji. Z kolei s\u0142owo traho <\/em>(\u0142ac. - 1 os. l. poj. od czasownika trahere), wskazuj\u0105ce na t\u0119 klasyczn\u0105 technik\u0119 jako na efekt \u201cwyci\u0105gania\u201d linii, m\u00f3wi o dzia\u0142aniu, podkre\u015blaj\u0105c przy tym procesualny i fizyczny charakter czynno\u015bci rysowania. <\/p>\n\n\n\n

Punktem wyj\u015bcia dla zgromadzonych w ramach wystawy prac jest praktyka rysunku automatycznego. Pozwala ona artystce spojrze\u0107 na to medium jako na proces mentalny oraz cielesny jednocze\u015bnie. Dlatego te\u017c w prezentowanym cyklu tw\u00f3rczo\u015bci \u015aliz fundamentalny element rysunku, jakim jest linia, stanowi naturaln\u0105 materializacj\u0119 energii skumulowanej w ciele, wpisuj\u0105c si\u0119 jednocze\u015bnie w zracjonalizowane regu\u0142y struktur i rytm\u00f3w. Balansuj\u0105c na pograniczu intencji i przypadku, tw\u00f3rczyni odwo\u0142uje si\u0119 do tkackiej metafory w\u0105tku i osnowy. Napi\u0119cia budowane pomi\u0119dzy wertykalnym a horyzontalnym istniej\u0105 w jej pracach jako relacja porz\u0105dku oraz jego zak\u0142\u00f3cenia. <\/p>\n\n\n\n

Marek \u015anieci\u0144ski o najnowszej sztuce Urszuli \u015aliz pisze w ten spos\u00f3b: Jeszcze raz trzeba podkre\u015bli\u0107, \u017ce w cyklu \u201cTraho. Nie-rysunki\u201d rysunek nie jest celem, celem tym nie jest \u201ctechne\u201d. Rzecz w tym, \u017ce rozmaite rozpoznawane przez nas techniki i technologie wykorzystywane w kreacji przez artystk\u0119, s\u0142u\u017c\u0105 tylko do skonstruowania terytorium, na kt\u00f3rym wybrzmi\u0105 pytania o porz\u0105dek i jego zaburzenia, o entropi\u0119, kt\u00f3ra jest naszym sposobem opisywania rzeczywisto\u015bci i rz\u0105dz\u0105cych ni\u0105 praw, a zarazem stanowi nasze egzystencjalne, cielesne do\u015bwiadczenie. <\/em><\/p>\n\n\n\n

Wystawa potrwa do 18 lutego 2026.<\/p>\n\n\n\n

Kurator: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Urszula \u015aliz, RI110, 30 x 24 cm, t\u0142usty pastel na p\u0142\u00f3tnie, akryl<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Urszula \u015aliz, RI111, 30 x 24 cm, t\u0142usty pastel na papierze, akryl<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Urszula \u015aliz, TXIII, 120 x 90 cm, t\u0142usty pastel na p\u0142\u00f3tnie, akryl<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","_pl_post_name":"urszula-sliz-traho-nie-rysunki","_pl_post_excerpt":"wystawa indywidualna wroc\u0142awskiej artystki","_pl_post_title":"Urszula \u015aliz\/ Traho. Nie-rysunki","_en_post_content":"\n

On 22 January, Urszula \u015aliz\u2019s solo exhibition opens at the City Gallery. For many years, the artist has consistently explored questions concerning the boundaries and specificity of different artistic territories. In the exhibition Traho. Non-drawings<\/em>, she explores the broadly understood concept of drawingness.<\/strong><\/p>\n\n\n\n

In her works on display, Urszula \u015aliz seeks to determine what drawing might be beyond its own medium. For the artist, the titular non-drawings<\/em> are not an act of negation, but an expansion of the definition. The word traho<\/em> (Latin, first person singular of the verb trahere<\/em>), which refers to the classical understanding of drawing as the act of \u2018pulling out\u2019 a line, points to action, emphasising the processual and physical nature of drawing.<\/p>\n\n\n\n

The starting point for the works assembled in the exhibition is the practice of automatic drawing, which allows the artist to approach the medium as both a mental and bodily process. Consequently, in this cycle of \u015aliz\u2019s work, the fundamental element of drawing \u2013 the line \u2013 becomes a natural materialisation of energy accumulated in the body, while at the same time conforming to rationalised structures and rhythms. Balancing on the boundary between intention and chance, the artist draws on the metaphor of weaving, of weft and warp. The tensions formed between the vertical and the horizontal function in her works as a relationship between order and its disruption.<\/p>\n\n\n\n

Marek \u015anieci\u0144ski writes about Urszula \u015aliz\u2019s latest work as follows: Once again, it must be emphasised that in the <\/em>\u2018Traho. Non-Drawings<\/em>\u2019 cycle, drawing is not the goal, nor is <\/em>\u2018techne<\/em>\u2019 itself. The various techniques and technologies employed by the artist serve only to construct a territory in which questions may resonate \u2014 questions of order and its disruption, of entropy, which is both our way of describing reality and the laws that govern it, and an existential, corporeal experience<\/em>.<\/p>\n\n\n\n

The opening takes place on 22 January (Thursday) at 6:00 pm<\/p>\n\n\n\n

The exhibition will be on view until 18 February.<\/p>\n\n\n\n

Curator: Miros\u0142aw Jasi\u0144ski<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Urszula \u015aliz, RI110, 30 x 24 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Urszula \u015aliz, RI111, 30 x 24 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Urszula \u015aliz, TXIII, 120 x 90 cm, acrylic, oil pastel on canvas<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","_en_post_name":"","_en_post_excerpt":"solo exhibition","_en_post_title":"Urszula \u015aliz\/ Traho. Non-drawings","edit_language":"en","footnotes":""},"categories":[6,4],"tags":[],"class_list":["post-7647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiwalne","category-wystawy"],"yoast_head":"\nUrszula \u015aliz\/ Traho. Nie-rysunki - Galeria Miejska we Wroc\u0142awiu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriamiejska.pl\/en\/urszula-sliz-traho-nie-rysunki\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Urszula \u015aliz\/ Traho. 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