{"id":7372,"date":"2025-08-06T10:20:13","date_gmt":"2025-08-06T10:20:13","guid":{"rendered":"https:\/\/galeriamiejska.pl\/?p=7372"},"modified":"2025-09-29T09:55:15","modified_gmt":"2025-09-29T09:55:15","slug":"","status":"publish","type":"post","link":"https:\/\/galeriamiejska.pl\/en\/tomasz-poznysz-pod-skora\/","title":{"rendered":"Tomasz Poznysz \/ Under the skin","raw":"Tomasz Poznysz \/ Under the skin"},"content":{"rendered":"\n

From 29 August, the Municipal Gallery in Wroc\u0142aw will present paintings by Tomasz Poznysz from his series \u201cUnder the Skin\u201d. The paintings are reinterpretations of modern artworks, focusing on extracting new, unknown and unexpected contexts by marking the bodies of mythological and biblical figures with tattoos.<\/strong><\/a><\/p>\n\n\n\n

Poznysz\u2019s art operates on two principal semantic and compositional planes. The first confronts historical art, its conventions, patterns and inviolable status, while the second transposes classical painting into the language of contemporary tattoo iconography, enriching it with current themes and narratives. As Pawe\u0142 Bie\u0144 aptly notes in his catalogue essay:  What on a human body is drawn with ink, in Tomasz Poznysz\u2019s paintings becomes a commentary overwritten on the adopted story.<\/em><\/p>\n\n\n\n

The ideological foundation of the artist\u2019s work is Alessandra Lemma\u2019s publication, which takes a psychoanalytic approach to the essence of body modification, including tattooing (\u201cUnder the Skin. A Psychoanalytic Study of Body Modification: Plastic Surgery, Tattoos, Piercing, Scarification\u201d). Referring to it directly in the title of his painting series, Poznysz says of his inspiration: Lemma\u2019s book shows that tattoo is something more than a decoration \u2013 it is a bearer of hidden narratives, frequently not expressed with words. In my paintings, tattoos became an interference with the body and the painting \u2013 they are deforming the figure, but at the same time they reveal what is hidden under the surface. They create a new layer of meanings, connecting private stories of the characters with universal problems of contemporary times<\/em>.<\/p>\n\n\n\n

Guided by psychoanalytic reflection, the artist externalises the internal on the surface of the body \u2013 memories of experiences, emotions and thoughts of the characters in his paintings. At the same time, by transcending temporal frameworks and drawing on their personal fates, he engages them in constructing narratives about present reality. Appropriating the space of their skin, Poznysz addresses inequality, discrimination, institutional violence and the climate crisis. Issues related to feminism occupy a particularly prominent place in his thinking. He therefore restores a voice to mythological and biblical martyrs and heroines who \u2013 through their often ambiguous histories \u2013 most fully expose the tensions along the power\u2013victim axis.<\/p>\n\n\n\n

By marking in black ink male and female silhouettes taken directly from Renaissance and Baroque works, the artist symbolically integrates on the canvas the biological and corporeal with the realms of reason and emotion. For Poznysz, whose conservation training and practice grant him deep insight into the secrets of historical painting, the painting itself is the point of contact between these two areas. The paint layer becomes, in his work, an analogue of human skin, while interventions in its matter (cracks, cuts, peeling and the re-adhering of \u201cpainterly scales\u201d) act as equivalents of cuts, wounds and scars.<\/p>\n\n\n\n

The exhibition will open on 28 August (Thursday) at 6:00 PM, accompanied by a DJ-set.<\/p>\n\n\n\n

The exposition will be on view until 25 September 2025.<\/p>\n\n\n\n

Curated by: Katarzyna Zahorska<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Adam and Eve, Under the Skin series, oil on canvas, 2x 200 x 80 cm, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Tomasz Poznysz, A Portrait of a Woman, Under the Skin series, oil on canvas, 40×50 cm, 2024<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Susanna and the Old Men, Under the Skin series, oil on canvas, 150x110cm, 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Mary Magdalene, Under the Skin series, oil on canvas, 50 x 60 cm, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Tomasz Poznysz, Sybilla, Under the Skin series, oil on canvas, 50×60 cm, 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false,"raw":"\n

From 29 August, the Municipal Gallery in Wroc\u0142aw will present paintings by Tomasz Poznysz from his series \u201cUnder the Skin\u201d. The paintings are reinterpretations of modern artworks, focusing on extracting new, unknown and unexpected contexts by marking the bodies of mythological and biblical figures with tattoos.<\/strong><\/a><\/p>\n\n\n\n

Poznysz\u2019s art operates on two principal semantic and compositional planes. The first confronts historical art, its conventions, patterns and inviolable status, while the second transposes classical painting into the language of contemporary tattoo iconography, enriching it with current themes and narratives. As Pawe\u0142 Bie\u0144 aptly notes in his catalogue essay:  What on a human body is drawn with ink, in Tomasz Poznysz\u2019s paintings becomes a commentary overwritten on the adopted story.<\/em><\/p>\n\n\n\n

The ideological foundation of the artist\u2019s work is Alessandra Lemma\u2019s publication, which takes a psychoanalytic approach to the essence of body modification, including tattooing (\u201cUnder the Skin. A Psychoanalytic Study of Body Modification: Plastic Surgery, Tattoos, Piercing, Scarification\u201d). Referring to it directly in the title of his painting series, Poznysz says of his inspiration: Lemma\u2019s book shows that tattoo is something more than a decoration \u2013 it is a bearer of hidden narratives, frequently not expressed with words. In my paintings, tattoos became an interference with the body and the painting \u2013 they are deforming the figure, but at the same time they reveal what is hidden under the surface. They create a new layer of meanings, connecting private stories of the characters with universal problems of contemporary times<\/em>.<\/p>\n\n\n\n

Guided by psychoanalytic reflection, the artist externalises the internal on the surface of the body \u2013 memories of experiences, emotions and thoughts of the characters in his paintings. At the same time, by transcending temporal frameworks and drawing on their personal fates, he engages them in constructing narratives about present reality. Appropriating the space of their skin, Poznysz addresses inequality, discrimination, institutional violence and the climate crisis. Issues related to feminism occupy a particularly prominent place in his thinking. He therefore restores a voice to mythological and biblical martyrs and heroines who \u2013 through their often ambiguous histories \u2013 most fully expose the tensions along the power\u2013victim axis.<\/p>\n\n\n\n

By marking in black ink male and female silhouettes taken directly from Renaissance and Baroque works, the artist symbolically integrates on the canvas the biological and corporeal with the realms of reason and emotion. For Poznysz, whose conservation training and practice grant him deep insight into the secrets of historical painting, the painting itself is the point of contact between these two areas. The paint layer becomes, in his work, an analogue of human skin, while interventions in its matter (cracks, cuts, peeling and the re-adhering of \u201cpainterly scales\u201d) act as equivalents of cuts, wounds and scars.<\/p>\n\n\n\n

The exhibition will open on 28 August (Thursday) at 6:00 PM, accompanied by a DJ-set.<\/p>\n\n\n\n

The exposition will be on view until 25 September 2025.<\/p>\n\n\n\n

Curated by: Katarzyna Zahorska<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Adam and Eve, Under the Skin series, oil on canvas, 2x 200 x 80 cm, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Tomasz Poznysz, A Portrait of a Woman, Under the Skin series, oil on canvas, 40x50 cm, 2024<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Susanna and the Old Men, Under the Skin series, oil on canvas, 150x110cm, 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Mary Magdalene, Under the Skin series, oil on canvas, 50 x 60 cm, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Tomasz Poznysz, Sybilla, Under the Skin series, oil on canvas, 50x60 cm, 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n"},"excerpt":{"rendered":"

solo painting exhibition<\/p>\n","protected":false,"raw":"solo painting exhibition\n"},"author":1,"featured_media":7374,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_pl_post_content":"\n

Od 29 sierpnia w przestrzeniach wroc\u0142awskiej Galerii Miejskiej publiczno\u015bci prezentowane b\u0119d\u0105 obrazy Tomasza Poznysza zrealizowane w ramach cyklu malarskiego \u201ePod sk\u00f3r\u0105\u201d. S\u0105 one reinterpretacjami nowo\u017cytnych dzie\u0142 sztuki, kt\u00f3re skupiaj\u0105 si\u0119 na wydobywaniu - poprzez naznaczanie przez artyst\u0119 tatua\u017cem cia\u0142 jego mitologicznych lub biblijnych bohater\u00f3w - ich nowych, nieznanych i nieoczywistych kontekst\u00f3w.<\/strong><\/p>\n\n\n\n


Tw\u00f3rczo\u015b\u0107 Tomasza Poznysza osadza si\u0119 na dw\u00f3ch g\u0142\u00f3wnych p\u0142aszczyznach znaczeniowo-kompozycyjnych. Pierwsza z nich obejmuje konfrontowanie si\u0119 z dawn\u0105 sztuk\u0105, jej konwencjami, wzorcami oraz ich nienaruszalnym statusem, druga natomiast \u2013 przenoszenie klasycznego malarstwa w obr\u0119b wsp\u00f3\u0142czesnej ikonosfery tatua\u017cu, pozwalaj\u0105cej wzbogaci\u0107 go o aktualne w\u0105tki i narracje. Jak s\u0142usznie w swoim tek\u015bcie katalogowym zauwa\u017ca Pawe\u0142 Bie\u0144: To, co na ludzkim ciele rysowane tuszem, w obrazach Tomasza Poznysza \u201estaje si\u0119\u201d komentarzem nadpisanym na przej\u0119tej historii.<\/p>\n\n\n\n

Ideow\u0105 baz\u0105 tw\u00f3rczo\u015bci artysty jest publikacja Alessandry Lemmy, b\u0119d\u0105ca pr\u00f3b\u0105 psychoanalitycznego uj\u0119cia istoty modyfikacji cia\u0142a, w tym tatuowania (\u201ePod sk\u00f3r\u0105. Psychoanalityczne studium modyfikacji cia\u0142a: operacje plastyczne, tatua\u017ce, kolczykowanie, skaryfikacja\u201d). Poznysz, odnosz\u0105c si\u0119 zreszt\u0105 do niej w spos\u00f3b bezpo\u015bredni w tytule swojego malarskiego cyklu, w taki spos\u00f3b m\u00f3wi o inspiracji rozwa\u017caniami autorki: Ksi\u0105\u017cka Lemmy pokazuje, \u017ce tatua\u017c jest czym\u015b wi\u0119cej ni\u017c dekoracj\u0105 \u2013 to no\u015bnik ukrytych narracji, cz\u0119sto niewyra\u017canych s\u0142owami. Na moich obrazach tatua\u017ce staj\u0105 si\u0119 ingerencj\u0105 w cia\u0142o i w obraz \u2013 deformuj\u0105 posta\u0107, ale zarazem ujawniaj\u0105 to, co skryte pod powierzchni\u0105. Tworz\u0105 now\u0105 warstw\u0119 znacze\u0144, wi\u0105\u017c\u0105c prywatne historie bohater\u00f3w z uniwersalnymi problemami wsp\u00f3\u0142czesno\u015bci.<\/p>\n\n\n\n

Na powierzchni cia\u0142, pod\u0105\u017caj\u0105c za psychoanalityczn\u0105 refleksj\u0105, tw\u00f3rca uzewn\u0119trznia wi\u0119c to, co wewn\u0119trzne \u2013 wspomnienia do\u015bwiadcze\u0144, emocje, my\u015bli postaci z w\u0142asnych obraz\u00f3w. Jednocze\u015bnie, przekraczaj\u0105c czasowe ramy i posi\u0142kuj\u0105c si\u0119 osobistymi losami swoich bohater\u00f3w, anga\u017cuje ich w konstruowanie opowie\u015bci o obecnej rzeczywisto\u015bci. Przechwytuj\u0105c przestrze\u0144 ich sk\u00f3ry, Poznysz wypowiada si\u0119 na tematy zwi\u0105zane z nier\u00f3wno\u015bciami, dyskryminacj\u0105, przemoc\u0105 instytucjonaln\u0105 czy kryzysem klimatycznym. Wiele miejsca w rozwa\u017caniach artysty zajmuj\u0105 przede wszystkim kwestie zwi\u0105zane z feminizmem. Ch\u0119tnie przywraca on zatem g\u0142os mitologicznym czy biblijnym m\u0119czennicom i heroinom, kt\u00f3re \u2013 poprzez swoje, cz\u0119sto niejednoznaczne, historie \u2013 najpe\u0142niej reprezentuj\u0105 napi\u0119cia na linii w\u0142adza-ofiara.<\/p>\n\n\n\n

Naznaczaj\u0105c wi\u0119c czarnym tuszem, wydobyte wprost z dzie\u0142 renesansowych i barokowych malarzy, kobiece i m\u0119skie sylwetki, artysta na p\u0142\u00f3tnie dokonuje symbolicznej integracji tego, co biologiczne, cielesne, z tym, co ulokowane w sferze rozumu i emocji. Dla Poznysza, kt\u00f3ry ze wzgl\u0119du na swoje konserwatorskie wykszta\u0142cenie i praktyk\u0119, jest g\u0142\u0119boko wtajemniczony w sekrety dawnego malarstwa, centrum styku tych dw\u00f3ch obszar\u00f3w stanowi sam obraz. Warstwa malarska staje si\u0119 w jego tw\u00f3rczo\u015bci paralel\u0105 ludzkiej sk\u00f3ry, natomiast wszystkie dokonywane w obr\u0119bie jej materii ingerencje (sp\u0119kania, rozci\u0119cia, odrywanie i przeklejanie \u201emalarskich \u0142usek\u201d) \u2013 odpowiednikiem skalecze\u0144, ran, blizn.

Kuratorka: Katarzyna Zahorska<\/p>\n\n\n\n

Ekspozycj\u0119 mo\u017cna ogl\u0105da\u0107 do 25 wrze\u015bnia 2025.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Adam i Ewa, seria Pod sk\u00f3r\u0105, olej na p\u0142\u00f3tnie, 2x 200 x 80 cm, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Tomasz Poznysz, Portret kobiety, seria Pod sk\u00f3r\u0105, olej na p\u0142\u00f3tnie, 40 x 50 cm, 2024<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Zuzanna i starcy, seria Pod sk\u00f3r\u0105, olej na p\u0142\u00f3tnie, 150 x 110 cm, 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Maria Magdalena, seria Pod sk\u00f3r\u0105, olej na p\u0142\u00f3tnie, 50 x 60 cm, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Tomasz Poznysz, Sybilla, seria Pod sk\u00f3r\u0105, olej na p\u0142\u00f3tnie, 50 x 60 cm, 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","_pl_post_name":"tomasz-poznysz-pod-skora","_pl_post_excerpt":"indywidualna wystawa malarstwa","_pl_post_title":"Tomasz Poznysz \/ Pod sk\u00f3r\u0105","_en_post_content":"\n

From 29 August, the Municipal Gallery in Wroc\u0142aw will present paintings by Tomasz Poznysz from his series \u201cUnder the Skin\u201d. The paintings are reinterpretations of modern artworks, focusing on extracting new, unknown and unexpected contexts by marking the bodies of mythological and biblical figures with tattoos.<\/strong><\/a><\/p>\n\n\n\n

Poznysz\u2019s art operates on two principal semantic and compositional planes. The first confronts historical art, its conventions, patterns and inviolable status, while the second transposes classical painting into the language of contemporary tattoo iconography, enriching it with current themes and narratives. As Pawe\u0142 Bie\u0144 aptly notes in his catalogue essay:  What on a human body is drawn with ink, in Tomasz Poznysz\u2019s paintings becomes a commentary overwritten on the adopted story.<\/em><\/p>\n\n\n\n

The ideological foundation of the artist\u2019s work is Alessandra Lemma\u2019s publication, which takes a psychoanalytic approach to the essence of body modification, including tattooing (\u201cUnder the Skin. A Psychoanalytic Study of Body Modification: Plastic Surgery, Tattoos, Piercing, Scarification\u201d). Referring to it directly in the title of his painting series, Poznysz says of his inspiration: Lemma\u2019s book shows that tattoo is something more than a decoration \u2013 it is a bearer of hidden narratives, frequently not expressed with words. In my paintings, tattoos became an interference with the body and the painting \u2013 they are deforming the figure, but at the same time they reveal what is hidden under the surface. They create a new layer of meanings, connecting private stories of the characters with universal problems of contemporary times<\/em>.<\/p>\n\n\n\n

Guided by psychoanalytic reflection, the artist externalises the internal on the surface of the body \u2013 memories of experiences, emotions and thoughts of the characters in his paintings. At the same time, by transcending temporal frameworks and drawing on their personal fates, he engages them in constructing narratives about present reality. Appropriating the space of their skin, Poznysz addresses inequality, discrimination, institutional violence and the climate crisis. Issues related to feminism occupy a particularly prominent place in his thinking. He therefore restores a voice to mythological and biblical martyrs and heroines who \u2013 through their often ambiguous histories \u2013 most fully expose the tensions along the power\u2013victim axis.<\/p>\n\n\n\n

By marking in black ink male and female silhouettes taken directly from Renaissance and Baroque works, the artist symbolically integrates on the canvas the biological and corporeal with the realms of reason and emotion. For Poznysz, whose conservation training and practice grant him deep insight into the secrets of historical painting, the painting itself is the point of contact between these two areas. The paint layer becomes, in his work, an analogue of human skin, while interventions in its matter (cracks, cuts, peeling and the re-adhering of \u201cpainterly scales\u201d) act as equivalents of cuts, wounds and scars.<\/p>\n\n\n\n

The exhibition will open on 28 August (Thursday) at 6:00 PM, accompanied by a DJ-set.<\/p>\n\n\n\n

The exposition will be on view until 25 September 2025.<\/p>\n\n\n\n

Curated by: Katarzyna Zahorska<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Adam and Eve, Under the Skin series, oil on canvas, 2x 200 x 80 cm, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Tomasz Poznysz, A Portrait of a Woman, Under the Skin series, oil on canvas, 40x50 cm, 2024<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Susanna and the Old Men, Under the Skin series, oil on canvas, 150x110cm, 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/a>
Tomasz Poznysz, Mary Magdalene, Under the Skin series, oil on canvas, 50 x 60 cm, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
Tomasz Poznysz, Sybilla, Under the Skin series, oil on canvas, 50x60 cm, 2021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","_en_post_name":"","_en_post_excerpt":"solo painting exhibition\n","_en_post_title":"Tomasz Poznysz \/ Under the skin","edit_language":"en","footnotes":""},"categories":[6,4],"tags":[31,55,213,212,26],"class_list":["post-7372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiwalne","category-wystawy","tag-galeria-miejska-we-wroclawiu","tag-malarstwo","tag-pod-skora","tag-tomasz-poznysz","tag-wystawa"],"yoast_head":"\nTomasz Poznysz \/ Pod sk\u00f3r\u0105 - Galeria Miejska we Wroc\u0142awiu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriamiejska.pl\/en\/tomasz-poznysz-pod-skora\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tomasz Poznysz \/ Pod sk\u00f3r\u0105 - Galeria Miejska we Wroc\u0142awiu\" \/>\n<meta property=\"og:description\" content=\"indywidualna wystawa malarstwa\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galeriamiejska.pl\/en\/tomasz-poznysz-pod-skora\/\" \/>\n<meta property=\"og:site_name\" content=\"Galeria Miejska we Wroc\u0142awiu\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-06T10:20:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-29T09:55:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/galeriamiejska.pl\/wp-content\/uploads\/2025\/08\/GM_640x340px.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"853\" \/>\n\t<meta property=\"og:image:height\" content=\"453\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/galeriamiejska.pl\/en\/#website\",\"url\":\"https:\/\/galeriamiejska.pl\/en\/\",\"name\":\"Galeria Miejska we Wroc\\u0142awiu\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/galeriamiejska.pl\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/galeriamiejska.pl\/en\/tomasz-poznysz-pod-skora\/#primaryimage\",\"inLanguage\":\"\",\"url\":\"https:\/\/galeriamiejska.pl\/wp-content\/uploads\/2025\/08\/GM_640x340px.jpg\",\"contentUrl\":\"https:\/\/galeriamiejska.pl\/wp-content\/uploads\/2025\/08\/GM_640x340px.jpg\",\"width\":853,\"height\":453,\"caption\":\"Tomasz Poznysz \/ Pod sk\\u00f3r\\u0105\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/galeriamiejska.pl\/en\/tomasz-poznysz-pod-skora\/#webpage\",\"url\":\"https:\/\/galeriamiejska.pl\/en\/tomasz-poznysz-pod-skora\/\",\"name\":\"Tomasz Poznysz \/ Pod sk\\u00f3r\\u0105 - 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