{"id":1600,"date":"2021-01-29T10:02:51","date_gmt":"2021-01-29T10:02:51","guid":{"rendered":"http:\/\/galeriamiejska.pl\/?p=1600"},"modified":"2021-10-29T11:01:05","modified_gmt":"2021-10-29T11:01:05","slug":"","status":"publish","type":"post","link":"https:\/\/galeriamiejska.pl\/en\/czwarty-wymiar-kreski-4\/","title":{"rendered":"The Fourth Dimension of a Line","raw":"The Fourth Dimension of a Line"},"content":{"rendered":"\n

The City Gallery in Wroc\u0142aw is pleased to invite for an exhibition \u201cThe Fourth Dimension of a Line\u201d takes place from June 26th 2015. The art show bring together works by Marcin Harlender and Rados\u0142aw \u015alany under a common denominator which is the line or one of the most crucial issue of both drawing and painting, but also art in general.<\/p>\n\n\n\n

Marcin Harlander is an artist who works on margins of Wroclaw artistic milieu. For years he has been consequently looking for his own place in the sphere of contemporary art, showing his reflections on philosophy and art history through traditional paints and paintbrush, but also performances, installation art and happenings. Interestingly his artistic activity resembles more the way painters from the Parisian Bohemia worked rather than the practice of polite artists from the second decade of the 21st century.<\/p>\n\n\n\n

The display will include his classic paintings stylistically located in between abstraction and figuration. What is specific for Harlander\u2019s art is a skillful juxtapose of colors and forms that leads to the discovery of new values in objects that have been useless for many years. It seems that an attempt to show an impact that a single image has on its surrounding is the main intention of Haralander\u2019s art. It might be also a reason why he doesn\u2019t usually work with the so called traditional media and more willingly reaches for pieces of old furniture, cardboards, banners, ironing board, and lots more different and useless objects found on garbage. Harlander\u2019s paintings, created with very simple means of expression, give the line a multidimensionality or more specifically four-dimensionality \u2013 that is length, width, expanse and a character taken from what is invisible (and what can be a part of mystical and metaphysical experiences).<\/p>\n\n\n\n

Rados\u0142aw \u015alany in turn checks in his art the drawing ability to exist in a space and what forms it can adopt in it. He releases drawing from its traditional, rigid frames and restrictions. Due to that he put the development of drawing on a different, not necessarily obvious level. Two-dimensional realisations of \u015alany together with spatial object made by Harlander receive a proper context and also gain a new visual strength. It is important though that in this juxtapose both artists clearly maintain independency in their artistic statement.
The art of Rados\u0142aw \u015alany is strictly geometrical, synthetic and operates with quite narrow though interesting range of colors. Dynamic, sometimes ornamental and seemingly unordered, the compositions are in fact carefully planned arrangements of colors and lines.<\/p>\n\n\n\n

Despite their different artistic attitudes, artwork of Marcin Harlander and Rados\u0142aw \u015alany are united by a fundamental similarity in an attention pay to the universal issue of a line and its relations with three-dimensionality and spiritual sphere. Hence the presentation of their individual explorations and artistic statements received a joint title which is \u201cThe Fourth Dimension of a Line\u201d.<\/p>\n\n\n\n

Photos from the opening:
https:\/\/www.facebook.com\/pg\/galeria.miejska\/photos\/?tab=album&album_id=848692371873844<\/p>\n\n\n\n

Video from the opening:<\/p>\n","protected":false,"raw":"\n

The City Gallery in Wroc\u0142aw is pleased to invite for an exhibition \u201cThe Fourth Dimension of a Line\u201d takes place from June 26th 2015. The art show bring together works by Marcin Harlender and Rados\u0142aw \u015alany under a common denominator which is the line or one of the most crucial issue of both drawing and painting, but also art in general.<\/p>\n\n\n\n

Marcin Harlander is an artist who works on margins of Wroclaw artistic milieu. For years he has been consequently looking for his own place in the sphere of contemporary art, showing his reflections on philosophy and art history through traditional paints and paintbrush, but also performances, installation art and happenings. Interestingly his artistic activity resembles more the way painters from the Parisian Bohemia worked rather than the practice of polite artists from the second decade of the 21st century.<\/p>\n\n\n\n

The display will include his classic paintings stylistically located in between abstraction and figuration. What is specific for Harlander\u2019s art is a skillful juxtapose of colors and forms that leads to the discovery of new values in objects that have been useless for many years. It seems that an attempt to show an impact that a single image has on its surrounding is the main intention of Haralander\u2019s art. It might be also a reason why he doesn\u2019t usually work with the so called traditional media and more willingly reaches for pieces of old furniture, cardboards, banners, ironing board, and lots more different and useless objects found on garbage. Harlander\u2019s paintings, created with very simple means of expression, give the line a multidimensionality or more specifically four-dimensionality \u2013 that is length, width, expanse and a character taken from what is invisible (and what can be a part of mystical and metaphysical experiences).<\/p>\n\n\n\n

Rados\u0142aw \u015alany in turn checks in his art the drawing ability to exist in a space and what forms it can adopt in it. He releases drawing from its traditional, rigid frames and restrictions. Due to that he put the development of drawing on a different, not necessarily obvious level. Two-dimensional realisations of \u015alany together with spatial object made by Harlander receive a proper context and also gain a new visual strength. It is important though that in this juxtapose both artists clearly maintain independency in their artistic statement.
The art of Rados\u0142aw \u015alany is strictly geometrical, synthetic and operates with quite narrow though interesting range of colors. Dynamic, sometimes ornamental and seemingly unordered, the compositions are in fact carefully planned arrangements of colors and lines.<\/p>\n\n\n\n

Despite their different artistic attitudes, artwork of Marcin Harlander and Rados\u0142aw \u015alany are united by a fundamental similarity in an attention pay to the universal issue of a line and its relations with three-dimensionality and spiritual sphere. Hence the presentation of their individual explorations and artistic statements received a joint title which is \u201cThe Fourth Dimension of a Line\u201d.<\/p>\n\n\n\n

Photos from the opening:
https:\/\/www.facebook.com\/pg\/galeria.miejska\/photos\/?tab=album&album_id=848692371873844<\/p>\n\n\n\n

Video from the opening:<\/p>\n"},"excerpt":{"rendered":"

Exhibition of Marcin Harlender and Rados\u0142aw \u015alany<\/p>\n","protected":false,"raw":" Exhibition of Marcin Harlender and Rados\u0142aw \u015alany\n\n\n"},"author":1,"featured_media":1003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_pl_post_content":"\n

Od 26 czerwca 2015 roku Galeria Miejska we Wroc\u0142awiu zaprasza na now\u0105 wystaw\u0119 \u201eCzwarty wymiar kreski\u201d. Podczas wystawy zostan\u0105 zaprezentowane prace Marcina Harlendera i Rados\u0142awa \u015alanego zebrane pod wsp\u00f3lnym mianownikiem, jaki wyznaczy\u0142a kreska \u2013 jeden z najistotniejszych aspekt\u00f3w rysunku, malarstwa oraz sztuki w og\u00f3le.<\/strong>

Marcin Harlender to tw\u00f3rca dzia\u0142aj\u0105cy na uboczu wroc\u0142awskiego \u015brodowiska artystycznego. Od lat konsekwentnie szuka w\u0142asnego miejsca we wsp\u00f3\u0142czesnej sztuce, radykalnie prezentuj\u0105c swoje przemy\u015blenia z zakresu filozofii i historii sztuki przy pomocy farby i p\u0119dzla, a tak\u017ce performans\u00f3w, instalacji oraz happening\u00f3w.

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\nhttps:\/\/www.youtube.com\/watch?v=0dN8ioPjq2E\n<\/div><\/figure>\n\n\n\n



Artystyczne poczynania Marcina Harlendera bardziej przypominaj\u0105 dzia\u0142alno\u015b\u0107 malarzy wykl\u0119tych rodem z paryskiej cyganerii, ni\u017c grzecznych plastyk\u00f3w drugiej dekady XXI wieku.
W Galerii Miejskiej we Wroc\u0142awiu zawisn\u0105 typowe dla tego tw\u00f3rcy obiekty malarskie z pogranicza abstrakcji i figuracji. Tw\u00f3rczo\u015b\u0107 Harlendera wyr\u00f3\u017cnia to, \u017ce poprzez zestawienie kolor\u00f3w i form potrafi wykrzesa\u0107 nowe warto\u015bci z przedmiot\u00f3w, kt\u00f3re od wielu lat niczemu nie s\u0142u\u017c\u0105. Intencja malarza wi\u0105\u017ce si\u0119 z ch\u0119ci\u0105 pokazania wp\u0142ywu obrazu na otoczenie, st\u0105d te\u017c artysta rzadko wykorzystuje tradycyjne pod\u0142o\u017ca. Domalowania swoich znak\u00f3w u\u017cywa fragment\u00f3w mebli, karton\u00f3w, baner\u00f3w, szuflad, desek do prasowania i wielu innych starych lub niepotrzebnych przedmiot\u00f3w, cz\u0119sto ubarwiaj\u0105c je farb\u0105, r\u00f3wnie\u017c wy\u0142owion\u0105 ze \u015bmietniska. Obrazy Harlendera, powstaj\u0105ce za spraw\u0105 prostych \u015brodk\u00f3w, nadaj\u0105 tytu\u0142owej kresce wielowymiarowo\u015b\u0107, a \u015bci\u015blej czw\u00f3rwymiarowo\u015b\u0107, czyli d\u0142ugo\u015b\u0107, szeroko\u015b\u0107, przestrze\u0144 i charakter wydobywany z niewidzialnego (w ramach do\u015bwiadcze\u0144 mistycznych i metafizycznych).<\/p>\n\n\n\n

\"\"
Marcin Harlender, Cernae, 2014, 54 x 62 cm, obiekt akryl<\/strong><\/em><\/figcaption><\/figure>\n\n\n\n

Rados\u0142aw \u015alany to wroc\u0142awski artysta, kt\u00f3ry sprawdza, czy rysunek mo\u017ce funkcjonowa\u0107 w przestrzeni i jakie formy mo\u017ce on przybra\u0107. Intencjonalnie uwalnia go ze sztywnych na\u0142o\u017conych przez stulecia ram i obostrze\u0144. Daje tym samym szans\u0119 wej\u015bcia na nowe, niekoniecznie oczywiste jeszcze, tory rozwoju rysunku. Realizacje dwuwymiarowe Rados\u0142awa \u015alanego, zestawione z obiektami przestrzennymi Harlandera, otrzymuj\u0105 w\u0142a\u015bciwy kontekst, zyskuj\u0105c zarazem na wizualnej sile, przy jednoczesnym zachowaniu odr\u0119bno\u015bci wypowiedzi ka\u017cdego z artyst\u00f3w. Tw\u00f3rczo\u015b\u0107 Rados\u0142awa \u015alanego jest na wskro\u015b graficzna, syntetyczna i operuje w\u0105sk\u0105, lecz ciekaw\u0105 gam\u0105 barwn\u0105. Dynamiczne, momentami nawet ornamentalne i pozornie nieuporz\u0105dkowane, uk\u0142ady kompozycyjne s\u0105 w rzeczywisto\u015bci dok\u0142adnie zaplanowanym zestawieniem plam barwnych i linii. Rados\u0142awa \u015alanego cechuje sp\u00f3jno\u015b\u0107 programowa, konsekwencja i determinacja wbudowaniu autorskiej koncepcji artystycznej.


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Radek \u015alany, Fragmenty Rysunkowe, 2013, rysunek na kszta\u0142towanym pcv technika w\u0142asna<\/strong><\/em><\/figcaption><\/figure>\n\n\n\n

Mimo pod\u0105\u017cania przez Marcina Harlendera i\u00a0Rados\u0142awa \u015alanego skrajnie odmiennymi \u017cyciowymi drogami, ich prace \u0142\u0105czy fundamentalne podobie\u0144stwo w\u00a0wadze przypisywanej kresce\/linii i\u00a0jej relacjom z\u00a0tr\u00f3j wymiarem oraz sfer\u0105 duchow\u0105. Dlatego prezentacj\u0119 ich indywidualnych poszukiwa\u0144 i\u00a0dr\u00f3g tw\u00f3rczych opatrzono wsp\u00f3lnym tytu\u0142em \u201eCzwarty wymiar kreski\u201d.

Kuratorem wystawy jest Miros\u0142aw Jasi\u0144ski.

Zobacz zdj\u0119cia z\u00a0wernisa\u017cu:<\/strong>
https:\/\/www.facebook.com\/media\/set\/?set=a.848692371873844.1073741864.470805202995898&type=3<\/a>

Zobacz film z\u00a0wernisa\u017cu:<\/strong><\/p>\n\n\n\n

\nhttps:\/\/www.youtube.com\/embed\/xh2hynLUaWY\n<\/div>
Otwarcie wystawy \"Czwarty wymiar kreski\"<\/em><\/figcaption><\/figure>\n\n\n\n

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